A Guy Walks Into a Bar (Continued)

CIRCLE BUSKING

The most attention grabbing style of street performing is known as “Circle Busking”. In circle busking, the performer takes some time to gather a circle of people around himself on the pitch, performs a show and then tries to keep the audience around as long as possible to collect their money. Anytime people see other people standing around, they want to stand around with them too and see what’s going on. The ease of gathering a crowd, being able to gather a little bit of fame while doing it and more often than not, making a decent amount of money in a short time is what makes the circle such a popular style for variety performers. (Variety performers are the jugglers, magicians, break dancers, fire eaters, comedians, musical acts, etc… You know- variety!)

During the show, the performer has an opportunity to build up the audience further and convince them to tip him at the end of the show. At the end, he passes the hat (or somebody else does it for him) while he continues to entertain the audience with witty banter and takes up the collection. If done right, there is usually a bit of cheekyness to the passing of the hat too that is almost as fun to watch as the show. This is to keep the audience around to tip more instead of walking off after the show. If the “hat man”, “pitch man”, or “bottler” is any good he will continue to draw a crowd even as people are leaving and hopefully convince them to even leave a larger tip also. The more people that are attracted to your circle performance, the more money (and often other articles of interest end up there too, lol) will go into your hat.

I have seen artists get a good crowd while performing paintings or caricatures to music for a circle of people. While all are not buskers, some novelty entertainers that cross into the ‘variety’ realm that come to mind are Dan Dunn, Brad Blaze, Denny Dent and Paul Merklien of Great Big Faces Caricatures. I have also seen a few teams of artists working in tandem to create something abstract on a large canvas or a graffiti piece. A good crossover between walk by and circle performances are the airbrush artists who create small works of art while putting on a bit of a show (of which they give to the highest tipper or sell outright if they can get away with it.)

One of the more valuable lessons you can learn as a busker is to pick up your speed. The faster your production turnaround, the more tips you can make. Keeping this in mind, the circle performers also know they must paint pretty quickly. Generally a variety performer can work a popular pitch for about 20-45 minutes with an additional 10 minutes to collect tips while the next act sets up and you tear down. If there is time to do so, ideally a circle show can last up to 90 minutes with the entertainer taking the opportunity to plug the show as he is setting up and continuing to entertain and collect tips while he is taking down the operation. If people are giving you money you can milk it for a lonnnnnnnnngggg Time.

I would think that painting this way would have to be super neat and tidy also, so as not to get paint everywhere and screw up the pitch for everybody else who uses it. So be mindful of that. Circle buskers are vulnerable to some of the same kinds of pitfalls as the walk by buskers are, but they’re also limited by the popularity of the pitch and the possibility of props being stolen, tampered with or misused by an audience member. A positive point to bring up is that there would be other performers around and the hours would be sporadic. Lots of down time watching and mingling with your fellow performers might be fun once and a while too. You might not get along with everybody but there would be plenty of opportunities to see how other types of entertainers handle the challenges that come up and you’ll learn more than being alone.

Any time you put yourself out there to perform for the public, you stand the risk of being hassled in one way or another and it takes some serious chops and a butt load of confidence to perform for a circle of judgmental strangers, IMO. Sure, individual people are judgmental, but usually can be won over easily enough. A large crowd made up of people from all walks of life is a different story altogether. You will find that people are dumb animals who along with being easily entertained, are also easily scared, misled or angered. This makes large crowds of people scary for many reasons. Performing a show for a large group of people makes it easy for hecklers to try bug you and ruin your show. While this is great entertainment for the rest of the crowd, it can be aggravating if you lose control of the environment and can quickly make your show go full on FUBAR. A good busker has a billion one liners to shut these people down and do it quickly to maintain control of the situation. It is a must. God help you if you lose control of the show…

While the circle setup might be great for a variety performer, it might not necessarily translate all that well to a artistic novelty entertainer. There are elements of circle busking that you can incorporate into your one on one act however. I will discuss some later at length.

NEXT: CAFE BUSKING AND STROLLING!

(COPYRIGHT ADAM PATE 2013, ALL RIGHTS RESERVED)

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A Guy Walks Into a Bar (as I did tonight)

Back in the saddle again!

Felt GOOD! Wasn’t all that busy, surprisingly but I did well enough. No complaints! People were nice too. The first person I saw yelled across the bar to me because he recognized me from up at Put In Bay and came over to tell his friends to get a caricature. Yep! Jumped right in!! Took a few photos. None turned out great but Here are two that weren’t horrible. The first photo does neither the girl or the drawing justice. The flash messed it all up. (and completely washed out the other drawings I took photos of tonight) The second one is of a guy with 2 girl’s butts. The one on the left was LOVING the way I drew her pooper in the drawing. The girl on the right, not so much. It was fun and I thought the girl’s reactions were hysterical. I guess this is why the “Butt Sketch TM” guy’s picture’s are so corny and lame, lol! Who cares? Anyways, got to use my new credit card swiping thing to collect a tip tonight which was awesome! I’m really glad it has become so main stream too. Can’t imagine trying to convince someone it’s legit. I did have some dipshit ask me to show him samples before he would get a caricature as if I was at a freaking job interview. That one still creeps me out. I would just assume that anyone who doesn’t understand that I don’t keep them -I give them away- and don’t carry around samples for people like him to judge me on wouldn’t appreciate a caricature in the first place so fuck em. Anyhow, it’s late and it’s gonna be a long weekend. Have fun, be safe and try not to get arrested!

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Made a new busking sign that says I accept credit cards too! YIPPEE!!

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Experiments With New iPad Caricature Style

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I do iPad caricatures at parties and festivals for a little over 2 years now. I have started to get tired of it because it takes so long to do them and they just don’t seem as good as they could be if I didn’t have to use such a blunt instrument (in more ways than one). I have seen some friends of mine doing some nice drawings using some other apps and figgered it was time to go back to the drawing board, so to speak…
These are just some new iPad doodles. I’m messing around with Sketch Club on the iPad looking for a fresh new style to draw in when I do iPad gigs and I think I may have it. These are twice as fast as what I was doing before!! I like the style too. It’s more similar to what my studio style looks like ( http://www.behance.net/adampate ). Black and white drawings can be done in about a minute and a half- I’m confident that I can get it down to only a minute too! I’m going to have to practice some more to get them looking nice and clean for bookings, but I wanted to share. Feel free to let me know what you think about the style (I do realize they are a bit messy)

A Guy Walks Into a Bar… (Continued…)

In most cases the local performers will have a regular system worked out for how time is divided between performers on the popular pitches. Of course arguments between performers, local merchants or John Q. Public sometimes happen and when they do it brings undue attention from the local law enforcement agency and in some instances the city steps in to regulate the pitch for the performers if it happens often. The city will try to stop buskers from performing, sometimes force the participants to pay a fee or get a license or even hold try-outs for a particular pitch depending on the popularity of the pitch and how lenient the City chooses to be in the matter. The important thing to remember is that (at least in America) the first amendment protects your right to free speech, (that is, your ability to express yourself, via your performance, whatever that is, wherever you feel like doing so) making all of this regulation by the city, county or state ILLEGAL. Legal or not, sometimes there is a reason for the madness and it is best to just stick with the program that seems to work best. It keeps things friendly at least between the buskers and the local business owners and the cops. BUT SOMETIMES the cops just like to be dicks… and buskers are unfortunately easy targets for dicks…

In the next post I will go over your rights as a busker and some steps you can take to avoid confrontations with other performers, local merchants, cops and other forms of trouble that might pop up.

Copyright Adam Pate, 2013

Howdy…

I’m Adam Pate. Drawing caricatures for tips in bars in college is what first motivated me to draw quickly. It didn’t take long to discover that drawing faster meant I could draw more people and more drawings of course, meant -MORE TIPS! Being a poor, starving artist, I needed money and stuff, so I decided to concentrate on trying to draw as fast as I possibly could. Improved speed meant more practice, which naturally led to better drawings. It meant I had more opportunities to challenge myself, improve my skills as an artist, invent new ways to draw the features of the people sitting for their caricatures and try new things. -and better drawings also meant BIGGER TIPS!- So there you go!! I’ve been constantly, decidedly, motivated to draw as fast and as well as I can for about 20 years. I do this while strolling through rowdy crowds of people in low lighting conditions. The kind of environment that most caricature artists have nightmares about… I am now proud to say that I am widely considered the fastest, friendliest and most versatile caricature artist in the world by my peers in the international caricature community. (Yes, there is one! We even have CONVENTIONS!!) That’s what I do, I’m good at it and for better or for worse, that’s who I am… I tell you this so you have a background to relate to the rest of this post.

They say every single person in the world knows at least 3 things that you’d like to know… This does not occur to most people. To most people I’m just some 40-something-artist-guy, but from time to time it occurs to me that one or two people might actually be interested in what I know and how I know it. In this blog, I will relate some helpful and educational tips for artists who want to improve their speed, skill (and income), some worthwhile news, and some fun and noteworthy war stories from clubs, gigs and other experiences I have had related to caricature art. I realize that the life and interests of the average caricature artist might sound dull to pretty much everybody on earth… But, I’m here to tell you people… – WE HAVE STORIES. Oh yes we do. We are a fun, spontaneous, surly, goofy, hedonistic, intense bunch of hustlers, characters and visionaries and we certainly see life a little differently than most people!

So, my CHALLENGE is to offer you -the reader- the kind of entertaining, educational and engaging content that will make you go “Hmmm”, occasionally cause your thoughts wander off dreamily, and might make you stay up at night insecurely obsessing  about the secret lives of us caricature artists… (and maybe even want to grow up to be one! Mwah ha ha ha!)

I’m hoping this blog will push me to write down and record the stories I have been collecting and telling people over the years and hopefully one day compile them into a book or two or three…