GIGMASTERS FAIL- JUST SAY NO TO EXPOSURE GIGS!

Once again, I have been contacted through Gigmasters by the same organization that asked me last year to donate my time to helping kids for cancer… I remember well the dust up that happened after that whole episode.

PLEASE ENTERTAINERS, MEMORIZE THIS AND STOP TAKING GIGS LIKE THIS FOR “EXPOSURE”. –

Hello. Although I think what you are doing is wonderful you really shouldn’t be trying to get people to donate their time to your organization for free. It would be one thing if your claim of “being tax deductible” were true. Unfortunately, it’s not. The IRS only allows us to write off the cost of our materials, which for a caricature artist like myself, might be about $2.50 total. If I might make a suggestion… Please find an actual sponsor to sponsor your entertainment for the fundraiser. There are many people or businesses that would jump at the chance because unlike the entertainers, they actually CAN write it off. That way, you’d get the entertainer you would like, the sponsor could get a tax write off (and feel good about the donation) and the entertainer can get paid! The only alternative is for you to pay the entertainer their full pay and then they could in turn donate it (If they felt like contributing) and THEN they could receive the write off. Unfortunately, this is still hard on the entertainer because oftentimes, all of our business for the week happens on the same days around the same time of day, which means they would be putting off a paying customer to donate to your cause. It also happens that we are bombarded with offers like this and many of us feel that no matter how worthy the cause is, it is our preference to donate our time, money and efforts to those organizations we choose, rather than those that choose us. In case you were not aware, the gigmasters service is a pay service. That is to say that we, the entertainers pay for the service to generate our leads so we can work and find potential customers. If you would like to actually offer to pay the entertainers via a sponsor as I suggested, please do continue to contact entertainers this way, otherwise your request should not be posted by the site as they actually take a cut of the profit of the entertainer to refer the customer to them. I am just letting you know so that you can be more successful in your efforts to acquire entertainment for your organization in the future. Thanks, and sorry, I am not interested in donating my time but I am available and would be happy to help should you choose to find a sponsor.

Straight Outta High School!

ASHLAND COUNTY FAIR

During my last year of HS, the Art Institute of Pittsburgh sent some people to our HS to recruit. I visited their campus in the summer at an overnight orientation, met some cool kids (and perdy girls…) and had a blast. Since I really wasn’t prepared for doing the SAT’s or ACT’s and was accepted, I took the bait and went to AIP after the summer of 1991. Which I spent working at Camp Mowana in Mansfield (One of my favorite jobs to this day but I’m skipping over it since it had nearly nothing to do with caricatures.)

The AIP semester started late in the fall so I was around when Ashland High School started up again. It felt weird to be out wandering around aimlessly some days when I had always been in school at this time of year and many of my friends still had to go to class. I had money from graduation and my summer job but I currently had no job, no classes, no worries- and my whole life ahead of me! Life was good and it seemed like I must have been experiencing the meaning of the word FREEDOM!

About a month after Mowana closed and schools were back in session, the Ashland County Fair happened. It was only about 60 degrees at the coldest but little did I know you could actually get hypothermia at that temperature because sitting in one place makes you very, very cold! I found myself shivering every night of it and on the last night I damn near shook my chair apart while I sat there in the buzzing mercury lights under a blanket!

I had bought a lightweight French easel from Jerry’s Artorama that pretty much fell apart right away. The fair board put me on a corner with lots of traffic and I did pretty well considering I was selling my drawings for only $2. I made my first signs with cardboard and the sharpie markers I drew with back then. I learned the hard way how to write “CARICATURES” so that it all fit on a sign correctly. This is harder than it seems and I must have ruined 4 sheets of posterboard trying to get it right that first day. I duct taped the sign to my rickety easel. Then I re-taped it. Then I taped the easel together by using the sign. Then I taped it again when it fell apart again. Then I had to make a new sign because the other one blew off and ripped… Next thing you know the whole contraption looked like a total catastrophe! What a piece of crap!

My mother had talked me into drawing at the fair and I was pretty nervous. She had even given me the money to pay the vendor fee at the fair. It sure beat my first job working at Hawkins Market as a bagger that’s for sure!

Charlie Daniels played the Ashland County Fair that year. Anything by Garth Brooks, Billy Ray Cyrus’s “Achy Breaky Heart” and Alabama’s “Mountain Music” were really big too. I was not a fan of country music back then but I had to listen to it day in and day out and actually started to like it a little. (Shhhh, don’t tell anybody!!!) There was a pavilion across the walkway from me where they had country bands, banjo music and barbershop quartets. When it rained, it would be packed full of people (and myself- I didn’t have a tent!) It was loud and the music sucked, but I saw how folks doing a similar thing to what I was doing made their living entertaining people at fairs and afterwards a few of them would come over and get a caricature from me and talk a little shop and tell me about how they do things at other fairs and festivals and some of the cool things they’ve seen.

The weirdest thing to me was being at the fair early and having lots of cash to buy anything I wanted! I hadn’t gotten there that early or been there all day and actually gotten to see the agricultural stuff since I was a kid and went there with the pre school group. I still had a twinge of guilt for not being in school, so it was quite an awakening to see how the ‘Carnys’ lived, and to realize I WAS ONE OF THEM, HA HA!!

I got into the fair for free and could go anywhere I wanted. I had donuts for breakfast, I had coffee every morning, and as many hot dogs or whatever I wanted for lunch and French fries for dinner! I saw sheep being sheered, cows being exercised, pigs running around in their racing stables, no lines for games or rides and I saw the “dumb kids” from school working at them. I made friends with them and some of the other vendors and we bartered for goodies. I saw old people speed-walking around the grounds, I saw fat people on Rascal Scooters going into the pole barns early to collect bucketfuls of free stuff, I saw old people who have a special day where they can go and walk really slow and know everybody and sit and talk all day without all the noisy, annoying kids there to bug them, I saw days where little kids came and took over the place like a rowdy gang of kittens, I saw days when all the 4H kids took over and it was very business like and serious (and surprisingly interesting) I saw days when the displays changed in the craft barns, all the old ladies would come put their best baked goods out, their best knitting up and their finest garden treasures out for everyone in the county to see. I saw some quite fascinating displays from the Ag kids at the HS. One of them was a dissected cow eyeball. (I saw a kid get in the way of a wayward fishhook and it got stuck in his eyeball when I was a kid. Gahhhhbrrrrrelcht!!! ….AH!!!!! Never have gotten rid of that image in my head, even after all these years…) When the days were over I saw dirty, creepy carny ride people drinking beer and making out with sluts from my HS behind the animal barns. I saw hard working, rough looking gypsy people go to their trailers for the night and I saw things the health department would probably frown upon -in just about every direction.

I have seen the Ashland County Fairgrounds almost completely empty. It was sad but it felt kinda cool at the same time. It was like peeking behind the curtain and seeing that the wizard is just some little dork like me. I was officially a carny and it was kinda awesome.

A Guy Walks Into a Bar… (continued)

PRIVATE PROPERTY

So far I have only discussed your rights on PUBLIC property, there are completely different rules concerning PRIVATE property. If the pitch you intend to work is on private property you will need to ask for permission and do as asked by the management of that property in order to busk, nuff said.

There are times you may not realize you are on private property. For instance if you are on a sidewalk in front of a business, that business has the right to ask you to leave for any reason they deem necessary, even if they do not legally own the property outright. Also, there are times when a public space is not public. For instance, the city can grant a temporary license to a group for a public space like a park or a street to be used for a special event, even a protest. It may be possible to busk there but permission will be needed from the license holder to do so. Also, they might have hired their own entertainment which causes obvious problems. At certain times and in certain areas however, busking is encouraged during special events, weekends, block parties, sales, etc… If in doubt, find out who is in charge and call them. If you can get a hold of them ahead of time, you may be able to convince them to HIRE YOU to entertain their guests! – but we’ll get into that later…

Now, why do you need to know all of this? First off, you should ALWAYS know your rights. Second, so that you will have a general idea of how things are settled when there is a difference of opinion between performers, private property owners/businesses and the law/city. Third, and most importantly, so you will know the all too common hassles that even professional buskers of over 50 years have to go through to make a living and so you can appreciate the fact that you shouldn’t ever have to deal with ANY of that junk if you take my advice!

(Copyright Adam Pate, 2013)

Experiments With New iPad Caricature Style

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I do iPad caricatures at parties and festivals for a little over 2 years now. I have started to get tired of it because it takes so long to do them and they just don’t seem as good as they could be if I didn’t have to use such a blunt instrument (in more ways than one). I have seen some friends of mine doing some nice drawings using some other apps and figgered it was time to go back to the drawing board, so to speak…
These are just some new iPad doodles. I’m messing around with Sketch Club on the iPad looking for a fresh new style to draw in when I do iPad gigs and I think I may have it. These are twice as fast as what I was doing before!! I like the style too. It’s more similar to what my studio style looks like ( http://www.behance.net/adampate ). Black and white drawings can be done in about a minute and a half- I’m confident that I can get it down to only a minute too! I’m going to have to practice some more to get them looking nice and clean for bookings, but I wanted to share. Feel free to let me know what you think about the style (I do realize they are a bit messy)

A Guy Walks Into a Bar (Continued…)

YOUR RIGHTS:

YOU SHOULD KNOW: At least in America, cops have a right to stop you, ask you for your ID and ask you questions about whatever they feel like. They have NO RIGHT to search you or your belongings, take fluids from your body, touch you roughly or confiscate any of your property without probable cause or a warrant. You have a right to use your cell phone video camera or any other recording device to record them at any time.

You have a constitutional right to practice free speech in any PUBLIC place, you do not need to ask anybody’s permission. Be careful to make sure that it is a PUBLIC place and not PRIVATE PROPERTY. That is another story. Each and every kind of performer has a right to express themselves under FEDERAL LAW, which means -(in case it’s not absolutely clear to the city, county and state lawmakers AND COPS) -supercedes local laws. Your mileage may vary however by degree of how much the local law wants to harass you, what they think they can get away with and how far you want to push your luck by dissenting. If you do choose to dissent, a fantastic way to get the most out of this experience is to boldly hold up your cell phone video camera and recite your rights to the officers as they’re pushing your face into the ground and going through your pockets with your arms behind your back, kicking you in the stomach, pepper spraying you in the mouth and hitting you over the head with a stick. (flip them off, spit, cuss, fight back and kick the window of the squad car at your discretion)

    THE FIRST AMENDMENT:

“Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.”

Let me first say that most police officers are friendly and helpful. It is not the officer’s job to start trouble and harass people, but that certainly doesn’t mean that it doesn’t happen, …often. There’s a word for the type of person who wants a job where they can walk around/ride motorcycles around/cruise around in comfy cars …aimlessly, basically because they are hoping for a random person to ‘do something wrong’ so that they can dominate them with a stick, a gun or some handcuffs and a badge that gives them permission to do so. This word is “SOCIOPATH”. A friendly and helpful police officer does not get angry when they get through an entire day without having to stop some sort of trouble from happening. A sociopath however will go crazy if there’s nobody to bully…

They have bad days and sometimes they just get bored… If one of these pricks is eyeballing you, obviously the best idea is to stay out of their way. If they harass you or others around you, be quiet, leave, whatever it is they ask you to do. Just try to NOT get physically abused, taken into custody or arrested if you can help it so you can raise a harassment complaint against them to the city when you are some place safe. If going to the city about it is a dead end call the ACLU. 212-549-2500, http://www.ACLU.org (Trust me. I am a card carrying member. I have called them several times in this situation and I’m glad I did!) If you DO get harassed, remember where and when you were and make note of any shops or street lights with cameras on them if there wasn’t anybody close by to record the exchange first hand. If there is an altercation, get their badge number and name if possible.

Be advised: ALWAYS CARRY ID WITH YOU. IF YOU ARE HASSLED BY THE COPS AND DO NOT HAVE A VALID FORM OF ID, THAT IS CONSIDERED “PROBABLE CAUSE” AND THEY CAN LEGALLY TAKE YOU INTO CUSTODY AND HOLD YOU FOR UP TO 24 HOURS WITHOUT ACTUALLY ARRESTING YOU FOR NO REASON AT ALL. If this happens, they are still not allowed to rough you up. They will pat you down, put you in a squad car and hold you in a cell, but they are not able to go through bags, boxes or sealed compartments like the trunk of your car without a warrant. They may not take bodily fluids from you or cause you to breath into any apparatus either.

In order to avoid a confrontation, it is best to check out the pitch before attempting to busk there, verify that it is public property and if there are other entertainers around, ask them the protocol and if the fuzz is friendly or not. Once again, keep in mind that since you have a constitutional right to practice free speech in any public place, you do not need to ask anybody’s permission -however a little politeness goes a long way towards a pleasant busking experience. Therefore, a prudent performer may also choose to call ahead to the city clerk of courts, solicitor or controller (or go visit the chief of police in a pinch) to see what the official protocol is before performing wherever. In my experience, most performers have no idea of what their actual rights are (one of the reasons I’m writing this) so it’s best to ask the city, in my opinion, and then go from there. Either way, one would have an idea of what to expect when they start busking, for better or worse. The old adage that it is “easier to ask for forgiveness than for permission” does not ring true.

Incidentally if there is a concern about whether creating tangible, tactile, individual, physical artwork that can be taken away is covered by the first amendment, (caricatures, face paint, balloons, etc… anything that can be called a ‘souvenir’ so to speak) consider that the materials were not worth anything before being manipulated by the artist, and that entertaining manipulative service is done in exchange for a freely given donation/tip to the artist and not a stated amount of compensation. The artwork cannot be produced without the paper/balloon/paint/etc… so it is considered just another form of artistic expression that is freely given away and not a product that has an estimated value.

The only things I can think of that would be possibly at the city’s discretion are potentially dangerous or destructive materials or equipment, like fire, water, paints, certain chemicals, chainsaws, giant swords, heavy objects, wild animals, firearms, explosives, etc… I highly recommend getting the OK from the city before putting your thing down on the pitch with these materials in your act. I do not know who would be liable if there were an accident. Chances are it would be the city, which I believe would possibly give them a legal reason to deny you the right to practice your act in certain areas without some restrictions.

It is important to specify that BUSKING is covered under the 1st Amendment. Retail operations are something completely different, are not considered protected speech and I do not have any opinion whatsoever on the subject. If you are charging a set retail price for something, if your operation can not easily be picked up and moved or you are producing something that is meant to be consumed- you are not busking and you DO ACTUALLY NEED TO FIND OUT WHAT THE CITY’S RULES, FEES, PERMITS, ETC… ARE FOR WHAT YOU ARE DOING.

(PLEASE BE ADVISED ALSO THAT I AM NOT A LAWYER. YOU SHOULD CONSULT A LAWYER IF YOU ARE IN NEED OF PROFESSIONAL LEGAL ADVICE! PLEASE FEEL FREE TO SHARE THIS INFORMATION WITH BUSKERS YOU KNOW, IF YOU WISH TO PUBLISH IT PUBLICLY, PLEASE ASK FOR MY PERMISSION AND IT WILL MOST LIKELY BE GRANTED. I CAN BE REACHED AT ADAM@ADAMPATE.COM, 419-606-3373.-> Copyright, Adam Pate, 2013.)

A Guy Walks Into a Bar… (Continued…)

In most cases the local performers will have a regular system worked out for how time is divided between performers on the popular pitches. Of course arguments between performers, local merchants or John Q. Public sometimes happen and when they do it brings undue attention from the local law enforcement agency and in some instances the city steps in to regulate the pitch for the performers if it happens often. The city will try to stop buskers from performing, sometimes force the participants to pay a fee or get a license or even hold try-outs for a particular pitch depending on the popularity of the pitch and how lenient the City chooses to be in the matter. The important thing to remember is that (at least in America) the first amendment protects your right to free speech, (that is, your ability to express yourself, via your performance, whatever that is, wherever you feel like doing so) making all of this regulation by the city, county or state ILLEGAL. Legal or not, sometimes there is a reason for the madness and it is best to just stick with the program that seems to work best. It keeps things friendly at least between the buskers and the local business owners and the cops. BUT SOMETIMES the cops just like to be dicks… and buskers are unfortunately easy targets for dicks…

In the next post I will go over your rights as a busker and some steps you can take to avoid confrontations with other performers, local merchants, cops and other forms of trouble that might pop up.

Copyright Adam Pate, 2013

Observations of a young caricature artist…

When I was in grade school I was always drawing pictures of people, houses, pets, race cars, guns, motorcycles, vans, spaceships, dinosaurs, dragons, skulls, super heroes, ninjas,  etc… You name it! Nothing escaped my pencil. I used to carve things out of wood and build models out of paper. I had lots of ideas and inventions I was always drawing, building or writing about something. In class, I often got in trouble for drawing even though the teacher luckily encouraged me by telling me they liked it. It was something I loved to do and even better PEOPLE TOLD ME I WAS GOOD AT IT. In my opinion, people in general, teachers and parents specifically- seriously underestimate the power of positive reinforcement. (as well as the power of negative reinforcement…)

Early on they wanted to put me in LD classes because I had a hard time keeping still and paying attention in class. That lasted for about a week until my mother got wind of it. Luckily she asked them to put me in a regular classroom again. I suppose it was because I was disruptive somehow because of my attention disorder. They said I had a mild chemical imbalance. Knowing what I know now, I figure I could have maybe been slightly autistic or have had mild Asburgers too. I do not think this is uncommon at all. I think a lot of that went undiagnosed, especially back in the 70’s. It is difficult to say even now as it is still difficult to diagnose.

The reason I bring this up is because like many people with autism or asburgers, I was very interested in anomalies I would find in every day life and I saw relationships in things that other’s missed or were simply uninterested in. I was very observant, even as a kid, often to a fault. I wanted to see and touch things that I shouldn’t. My mom used to have to tell me to stop staring at people when I was very little and I often asked very personal questions that put people and my parents on the spot. I was unintentionally inclusive and socially awkward. I didn’t have many close friends growing up in the country in rural Ohio, but I wanted to socialize. It was hard because I grew up where I did and the things I noticed and asked about sometimes made people feel uncomfortable and as a consequence, I was sometimes treated differently or even cruelly. I was very competitive, was super strong and was interested in sports but knew nothing of the rules so I tended to avoid group games because I didn’t know how to play them and I would just seem clumsy, accidentally hurt someone or get in the way of the other kids.

Although squirmy and odd, I was a sweet kid who used to draw flowers and animals for my teachers, got decent grades and was a pretty good student for the most part- right up till the 4th grade. In 4th grade, my ADD or whatever made the teacher so uncomfortable that she put me in a corner and had a refrigerator box put around my desk so that I would not distract the rest of the class. She called it my office. This was a horrible thing to do to a child for many reasons, but at the time I didn’t think it was so bad sometimes. It gave me my own space to think and draw and get lost in my imagination. If I got bored in class I had the opportunity to look out the window or zone out on some project or another on my own and this kept me quiet and content for the most part for the rest of the school year. I had to see a school psychiatrist and I remember it being a very long, sad year for me. The box wasn’t helpful to me socially at all and I lost all interest in trying to be a good student.

I realize that (besides the “office”) most of this seems pretty common. It is. For me at the time it wasn’t of course. This was my perspective at the time. I thought I was different. People of influence encouraged my intellectual abilities, but I learned to keep those talents hidden as they were not helpful socially. This inclusiveness gave me the ability to see things objectively. I was an outsider, an observer. So I learned to enjoy playing quietly by myself and letting my imagination be my best friend, reading picture books to myself, learning about nature, observing and contemplating things in their natural state, noticing forms, textures, anatomy, positive and negative space, tangents, the color of lighting and the tones and shapes that shadows make at different times of the day, where they fall and how colors complimented one another. This further reinforced my relationship with my observational skills, imagination and creative abilities and has had an absolutely positive influence on the creative person I am today. These were the unintentional every day thoughts and influences on me as a young artist. …I think being hired to draw funny pictures of strangers at parties is about the most natural thing I could possibly do for a living!

Copyright Adam Pate, 2013

A Guy Walks Into A Bar, continued…

(LOCATION, LOCATION, LOCATION…

One of the most important considerations for most professional buskers is where they will perform their act. So much so that they will travel very far from their homes and families at certain times of the year to work a particular “Pitch” because of that location’s earning potential and popularity during a particular season, holiday or festival. A “Pitch” is the venue or place where the busker performs his talent in the appropriate area of a city.

Unfortunately, in some very popular pitch areas there are a limited number of suitable pitches available to multiple performers. (or one very good one that everybody wants to use) There are usually a few pitches in an area that are more popular because of size. A larger pitch allows the buskers to attract and accommodate a larger crowd and therefore the “hat” AKA the ‘take’, or amount of money that can be made per show, gets bigger.  Because the pitch is on public property, nobody can claim a right to it legally, so the performers must work it out among themselves so that the pitch may be rotated equally between performers, usually determined by seniority or on a first come first serve basis and in 20 minute increments with 10 minutes to collect tips and break down set up.

Please note: Although I have many friends who are performers, my personal experience with THIS type of busking is limited. That said, I think I know enough to communicate the gist of it. I am not as knowledgable about how the stage acts go because I am a roving performer and can perform all day- any place if I want to and do not need to attract a crowd to perform.

Different kinds of pitches suit different kinds of performances. This diversity allows for a friendlier and more successful busking scene overall and can allow certain performers to find a unique specialized pitch, that fits their specific needs with little or no competition (like myself doing caricatures). Having a variety of pitches attracts a variety of performers which makes the area that much more interesting to the people who visit busking friendly areas.

(Copyright, Adam Pate 2013)

So A Guy Walks Into A Bar (continued)

Aside

WHAT IS BUSKING?

Busking (again, performing publicly for a gratuity) is great for those of us that are vagabonds and like to see the world. A traveling busker might spend a couple of days in a resort town and make enough money for a room and some food and a little fun while on vacation or make enough money to get you to the next town if you are just passing through. Many buskers have traveled the world, observing and immersing themselves in the strange and wonderful cultures of the world!

What’s great about busking is that you have an immediate pay off and the freedom to do pretty much anything you like, any time you like, any public place you like with the exception of whatever logistical restrictions your act might require.

What stinks is that throughout history busking has widely been considered a fringe occupation and even though it is legal in most places the world over and people really enjoy doing it and being entertained by it, sometimes buskers are looked upon unfavorably, harassed and sometimes confused with panhandlers or vagrants. (There is a huge difference between somebody begging for money and somebody performing an entertaining service in hopes of getting a gratuity, whether they have a place to call home or not.) This is very unfortunate but expected, as creative people do tend to be characters and sometimes go about things unconventionally. No doubt there are many buskers who are lazy, annoying or have vices and just like any other occupation, it’s very difficult to be successful with these impediments… It is important to remember that most buskers take great pride in their work, are very professional, safe and respectful.

A busker’s livelihood depends directly on their degree of talent, people skills and entrepreneurial success. It is a challenging occupation in many ways. Honing your people skills, responsibility, gaining confidence in yourself and learning how to handle criticism in front of a crowd of random, judgmental people are just a few of the many benefits of being your own boss as a busker. You have the freedom to fail as well as the freedom to succeed. Professional Buskers make an honest living with their talents either as individuals or in groups and take their craft very seriously just like any other professional performer does. It’s no coincidence that many popular and successful professional performers have cut their teeth busking.

For an example of a professional busker (who just may be available to perform at your private party!), check out my friend Aaron Bonk’s facebook page. He currently is busking in Clearwater, Florida.

http://www.facebook.com/aaronbonkshow

Many of the most successful buskers have traveled extensively and are known all over the world. There is a loose community of buskers that push each other to produce better acts, protect each other and share stories and information through various means.

For an example, check out http://www.Performers.net

(copyright, Adam Pate, 2013)

Check back to the blog later for more information on BUSKING!